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The obscurity of the place prevented Hippolitus from distinguishing the features of the dying man. From the blood which covered him, and from the surrounding circumstances, he appeared to be murdered; and the count had no doubt that the men he beheld were the murderers. The horror of the scene entirely overcame him; he stood rooted to the spot, and saw the assassins rifle the pockets of the dying person, who, in a voice scarcely articulate, but which despair seemed to aid, supplicated for mercy. The ruffians answered him only with execrations, and continued their plunder. His groans and his sufferings served only to aggravate their cruelty. They were proceeding to take from him a miniature picture, which was fastened round his neck, and had been hitherto concealed in his bosom; when by a sudden effort he half raised himself from the ground, and attempted to save it from their hands. The effort availed him nothing; a blow from one of the villains laid the unfortunate man on the floor without motion. The horrid barbarity of the act seized the mind of Hippolitus so entirely, that, forgetful of his own situation, he groaned aloud, and started with an instantaneous design of avenging the deed. The noise he made alarmed the banditti, who looking whence it came, discovered the count through the casement. They instantly quitted their prize, and rushed towards the door of the room. He was now returned to a sense of his danger, and endeavoured to escape to the exterior part of the ruin; but terror bewildered his senses, and he mistook his way. Instead of regaining the arch-way, he perplexed himself with fruitless wanderings, and at length found himself only more deeply involved in the secret recesses of the pile.,

The combat was sustained with much vigour and dexterity on both sides for some minutes, when the duke received the point of his adversary's sword, and fell. The cavalier, endeavouring to escape, was seized by the duke's people, who now appeared with the fair fugitive; but what was the disappointment—the rage of the duke, when in the person of the lady he discovered a stranger! The astonishment was mutual, but the accompanying feelings were, in the different persons, of a very opposite nature. In the duke, astonishment was heightened by vexation, and embittered by disappointment:—in the lady, it was softened by the joy of unexpected deliverance.,

She quitted the chamber with madame. In her way to the church, the gleam of tapers on the walls, and the glimpse which her eye often caught of the friars in their long black habits, descending silently through the narrow winding passages, with the solemn toll of the bell, conspired to kindle imagination, and to impress her heart with sacred awe. But the church exhibited a scene of solemnity, such as she had never before witnessed. Its gloomy aisles were imperfectly seen by the rays of tapers from the high altar, which shed a solitary gleam over the remote parts of the fabric, and produced large masses of light and shade, striking and sublime in their effect.,

His presence dominated the crowd and for a moment there was comparative quiet. Then[251] everybody tried to explain at the same time and only succeeded in confusing the man more. His eye, darting through the crowd, fell on Bob and the others. “Here, Hazard,” he called, “tell me quick what’s up!”

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First he went to Madame Bakke, who lived nearest. She had had a long illness and was paler than usual today. Johnny Blossom put his heels together and bowed.,

A moment later the place was in an uproar. Fired by bad whiskey and the knowledge that numbers were with them, the bunch of Mexicans had jumped for the solitary figure.,

Just think! There they sat, in the sunshine on the wharf, eating from their baskets and having such a good time; and here was he, alone, naked, and so frightfully cold. Boo-hoo-hoo! He wanted to go home to Mother. He might crawl home through the gutters—but what would Mother say if he went home without any clothes? Boo-hoo-hoo!,

'The very reverse,' replied Ferdinand; 'tis you who deceive yourself, or rather it is the delicacy of the passion which animates you, and which will ever operate against your clear perception of a truth in which your happiness is so deeply involved. Believe me, I speak not without reason:—she loves you.'